play

Occasionally, instead of a light-hearted evening of theatre, one gets a  powerful, thought-provoking play to watch. My friend Shangon and I braved the rain to go and watch Michael Freyn's play, "Copenhagen" which was being produced by Centre for Film and Drama. I had not read up about the play, or watched it before.There can be no better synopsis than the online one that Ranga Shankara has on its online schedule:"Frayn's play, Copenhagen, speculates what might have transpired during a meeting between Nobel laureates Niels Bohr and Werner Heisenberg in Copenhagen in September 1941, at the height of the German…

Theatre Professionals, a part of the  Drama School, Mumbai, staged "The Dragon", translated from the Soviet author and playwright, <a href="http://en.wikipedia.org/wiki/Evgeny_Shvarts">  Evgeny Shvarts </a>This  is a play written in 1944.. The excellent translation, bringing the action forward to a contemporary time, was done by  Harsh Khurana.As a reviewer, I usually watch the first show.  This time, for a change, I decided to watch the last one, and see how the successive stagings had honed the production values.A film of the play was made in 1988. I thought it would be interesting to watch how germane the concepts of totalitarianism, first…

When my friend Priya Venkatesh told me about the performance of “A Moment of Memory”, I was intrigued by the description of the performance and decided to attend the 8 pm showing at Atta Galatta in Koramangala, on January 10th. The production was by Visual Respiration, a group founded by Aruna Ganesh Ram, and  the show was directed by her.  'An experiential performance based on personal encounters' is the description of the performance in the words of Visual Respiration. It  gives the details about how this production came into being. It was not a “play” in the usual sense of the…

I find it interesting to watch a translation of a play; watching "Maryade Prashne", a translation, by Surendranath, of "Respect", a play in German by Lutz Huebner was an experience on several levels. In the foyer. Pic: Deepa Mohan I was curious to know how a play set in Germany would fit into the present-day milieu, and I was pleasantly surprised to see it melding in so perfectly. It sent out the first message of the play to me...that human equations, and power plays are common to humanity and not restricted to one culture or one nation. The play started…

It was good to get back to Ranga Shankara and theatre after a long hiatus, and it so happened that it was a play from the land I had left behind! Poorna Jagannathan Productions was staging, as part of the Martin Moran India tour, his play, "The Tricky Part". The play, written and performed by Martin Moran, is the story of his life.  Between the ages of 12 and 15, he had a sexual relationship with a much older man, who was actually a counselor he met at a Catholic boys' camp. How he resolves the ancient conflicts, and his…

Bangalore Little Theatre's (BLT) annual children production returns for the 8th time. Positioned as Community Theatre that is committed to social development in the largest sense, BLT has struck a long term partnership with the Association for the Mentally Challenged (AMC). One aspect of this partnership has been an annual flagship theatre production for the Bangalore public that also serves as a fundraiser for AMC. This year's theatre production is unusual (and very special) in many ways. It is an original script based on a well-known book by internationally renowned management expert, John Kotter, with the challenge of Climate Change as the backdrop.…

In Bangalore in the early 90's, I was very impressed by one very young dramatist who wrote plays in English that showed a talent and an ability to mirror social issues well beyond his physical age.I watched every production of Mahesh Dattani's plays that I could, and bought the book of his plays to read the rest. I have also grown up in Kolkata, enjoying the vibrant Bengali theatre scene; to me,there was no greater  accolade of a person's creative talent than the words, "O theatar korcche" (He is into theatre).  So when my friend Shangon told me that a…

I've attended, and enjoyed, several of Bangalore Little Theatre's productions over the years, because it's Bangalore's oldest theatre society...but this evening's production of "The Court Jester: Tales of Tenali Rama" was very special for me, as my grandchildren, 5 and 1, were visiting me, and I'd been very keen to give Kavya (the elder) a taste of theatre...so having a children's play by BLT to go to was a wish come true! The whole family went to Woodlands Hotel to find that things were delayed a bit, but Vijay Padaki filled in the gap with great panache. He first invited…

Having watched Adishakti Laboratory for Theatre Art Research (what a mouthful, I'll call it ALTAR for short!)'s earlier production, "The Tenth Head" at Ranga Shankara, and reviewed it here, I was prepared for an interesting evening when I went to watch "Nidrdravathvam". The play is about two brothers of the protagonist and the antagonist of the Ramayana: Lakshmana and Kumbhakarna. They are connected in having received boons that, in the words of the excellent brochure provided by ALTAR, "dramatically alter their cycles of sleep and wakefulness." Kumbharkarna's tongue is tied by Saraswati, and instead of asking for "Nirdevatvam" (destruction of the Devas) he…

The play, "The Tenth Head", written by Vinay Kumar KJ, directed by Veenapani Chawla, and staged by Adishakti Laboratory and Theatre Art Research, Puduchery, has a very interesting central premise: that all the heads of Ravana are not alike, and that the tenth head is quite different from the other nine.   Intrigued by this, I went to watch the staging at Ranga Shankara, on the 18th of February, 2014. I found myself both interested and puzzled at different times during the play.   The on-again-off-again power situation took its toll on Ranga Shankara's usual punctuality, and the play started…