play

It was like a rare alignment of the planets: several factors come together to pull me out of my usual Ranga Shankara ambit for watching a play. I had not been to visit Bangalore International Centre, which opened a while ago in Domlur; Bangalore Little Theatre, as part of their "VP 80" festival, was staging "Credit Titles"; the play, written by Vijay Padaki, whose 80th birthday the festival marks, was based on a story by Vinod Vyasulu, an eminent economist whom I've known for a long time, as our daughters share a cose friendship dating from 1988. And last but…

It is always interesting to revisit a play I have watched before, and see how the production has evolved. This was the spirit in which I went to watch "Robi's Garden" by Bangalore Little Theatre, which I had reviewed in 2011. (You can read the review here ) But I was in for a major surprise! The earlier play was definitely one for children, with many children and BLT volunteers participating, with both the cast and the audience having a merry time, rollicking through a selection of Rabindranath Tagore's short stories. It was an occasion to celebrate the Golden Jubilee…

It's not common to have plays about music, or musicians; so when Ranga Shankara announced that the Trialogue Company, a Delhi-based theatre group, would be staging "Tansen" on 1st June, '19, I was very keen on attending. The introduction on the Ranga Shankara website was also tantalising. Dhrupad, Khayal, and Kathak to be part of the production...that would be very unusual indeed! So off I went, with my friend Jayashree (who also learnt classical music from me...we did form a fairly critical duo in the audience.) Even before the play started formally, the strains of the tanpura and the semi-humming,…

It is not a common occurrence for me to be able to watch a well-made promo video of a theatre school; I did that for the first time when I reached out to the Drama School Mumbai, and the programme coordinator, Neeraj Panchal, sent me the video, which you can see here I noticed the words "Annual Student Production 2018-19" on the excellent brochure that was given out before, and about, the play This intrigued me and I found out that the play was staged by the students of this school; some of them told me, after the play, that…

To write a play that deals with a highly technical scientific topic, and to bring that play to life on the stage, are two very difficult tasks indeed.  Bangalore Little Theatre (BLT)  took on this challenge as part of their series, the History of Ideas programme. "Photograph 51" is the sixteenth play in the series. This is an award-winning play by Anna Ziegler, about the race between two leading laboratories in England, in the nineteen-fifties, to crack the nature of the DNA structure. The title of the play comes from the nickname given to an X-ray diffraction image taken by…

A play that is an interpretation of another play faces several challenges. What if the audience is not familiar with the original play?  How can the production pick up on very contemporary issues from a play originally written in 1972...46 years ago? The Big Fat Company addressed these issues, and more, successfully, in their production, "Head 2 Head", where the cast and crew "play" with Hayavadana. A scene from the play, in a photo  displayed in the foyer: As I entered the theatre space, I found the first attempt in this direction by the Big Fat Company.  An excellent brochure, printed…

Once in a while, it's a refreshing change to look forward to a children's play, and on the 31st of March, '18, I took my grandchildren to watch "Fish Tree Moon", a play by Ranga Shankara as part of its "Aha!" initiative for children. The beautiful moon from the play. The performances (3 in all) had been well timed for the start of the school summer vacations, and the play drew an almost full house, with many children eager to watch, and their families eager to immerse them in theatre. The play deals with a varied set of characters.... an…

I went to watch Kriyative Theatre’s presentation of “Where The Shadow Ends” after having read the theatre group’s introduction to it, with an open mind...and that open mind was truly filled with sights, sounds, concepts both abstract and concrete, in the one hour and twenty minutes that the play lasted. The narrative, as the group says, is surreal;  the play travels through myths and history that are common across cultures. The play (mainly in English, but with touches of Kannada and Sanskrit here and there)   uses contemporary movement and text to explore the space between reality and shadows of the…

When I read that "The Cut" had been shortlisted for The Hindu Playwright award in 2016, I was keen on watching it; so off I went to watch the play, staged by Theatre Nisha, a Chennai-based group, on Saturday, 27th May 2017. I'd read two reviews of the play, by Karan Pillai for The New Indian Express, on Jan 27, 2017  by Parshathy J Nath for The Hindu, on 30 Jan, 2017   I was expecting the sepia tones referred to in one, and the brilliant performances mentioned in the other (see photo below, from an earlier performance.)   The…

One of the inequalities of life is that children may not be allowed for many theatre productions...but adults can certainly go and enjoy children’s theatre. The enjoyment is all the more, when one goes with one’s own child...or grandchildren, because there are then multiple layers to the experience. There was a fairly large audience of children, accompanied by their parents or relatives,  to watch “How Cow Now Cow” by the Sandbox Collective a group that has just crossed its second birthday.   I have not watched the work of this young theatre group before, and I am always interested in…