Two months before I left for Chennai, I stopped by the Man Who Sold the World, an antique store in my neighbourhood in Seattle. I go to this shop sometimes to look through the old-fashioned stereoscope. You peer through the device at two side-by-side photos, soften your gaze, and these two slightly different perspectives become one three dimensional scene. On that particular day, I set my sights on India. One scene is of a cow in a crowded Delhi alley. Another is of a larger-than-life stone carving of a Hindu god. It felt as if I was surrounded by those…
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