Articles by Veena Basavarajaiah

What is the connection between dance, which is an art, and a martial art form like Kalaripayattu from Kerala, which is meant to develop defensive and offensive physical skills? Judging by its popularity in dance training, the connection is a strong one. Kalaripayattu is characterised by fluid acrobatic play, flexibility, sweeps, kicks, and the use of weapons and other elements of combat. It also instils a disciplined way of life that propagates a strong mind in a strong body. Inevitably, many dancers find it an invaluable for techniques that can be used in performances. Kalari is fast catching up as…

Prathibha Prahlad. Pic: Jyotsna B Rao. The sound of the beeja mantra echoes in space as the dancer  appears in an abhang posture. The shloka seamlessly woven into a jathi marked the beginning of the dance recital devised by dancer Prathibha Prahlad to trace the origin and  evolution of worship in Bharatanatyam through centuries. In the stage designed to look like a temple courtyard, Prathibha praised the divine feminine forms of Shakthi (untamable), Sri (domesticated) and Tara as invoked during the vedic times. This recital was presented  at the JSS auditorium on March 20th, on the occasion of Nirantara Narmada…

Gudiya Sambhrama held at Hanumanth nagar , Anjaneya temple on the 13th of March 2011 was organised by Heritage Centre, a non-profitable organization. This performance was part of a series of performances spread over a period of four months at various temples of Bangalore.  Rukmini Vijay Kumar performing Bharathnatyam. Pic: Veena Basavarajaiah It was a delight to see all the children sitting in the front row with their attention glued to a puppet show instead of a television set on a sunday evening. The show presented by Dhaatu puppet theatre on the story of Bhakta Prahalada with colorful properties and puppets had the…

Kalari Gurukulam presented KalariMargam; a dawn to dusk programme on renowned martial art form Kalripayattu on the 26th of February, 2011. The informal performance/lecture demonstration was staged at Band Stand in Cubbon park. Citizens of Bangalore who went for an evening walk in the park experienced a flavor of this art form. Demystifying Kalari Pic Courtesy: www.kalarigurukulam.com Though Kalaripayattu is well-known amidst the artist community of Bangalore this was a first of its kind programme initiated by the Gurukulam to promote as well as create an awareness for the layman in the city. The programme took them on a journey…

Kathakali is an art form from Kerala that tells a story with  two or more  performers. It is a form of sanskrit dance theatre that was traditionally practiced and professed by male actors.[1] Prabol Gupta in stree vesham. Pic: Prabol Gupta. For many centuries men have been responsible for upholding and passing on the classical art forms from one generation to another especially during times when women were forbidden from entering the world of performing arts. Hence it is not surprising that men have taken on women's toles in these traditional art forms. Guru Lalitha Ubhaykar, renowned Hindustani artiste and Guru Usha…

Raadha 2010, an annual dance and collaborative arts festival was organsed by Raadha Kalpa between the 29th of October and 15th November across various venues in the city. Raadha Kalpa, founded by Rukmini Vijayakumar, a Bangalore based classical and modern dancer and choreographer, is an organization dedicated to the promotion of art and culture through performance, teaching and artistic collaboration. The Indian traditional ideals are communicated in Bharatanatyam, maintaining the purity of the classical form, and utilizing innovation within the classical context. Rukmini, one of the most talented artistes of the city holds a degree in Modern dance and Classical…

Dance in Indian cinema is unfortunately been labelled Bollywood dance. Films in the early nineties evolved with performances from artistes from indigenous art forms. Many actors, dancers and musicians who were bred in regional theatre moved their performances from stage to screen to find a larger audience and explore a new media of expression.  On the sets of Pancharangi. Pic: Nritarutya. In recent times  senseless ‘item' numbers rule the big screen where it is all about the jhatkas , matkas and the jing chak music that sell the film as a commodity. Seldom does one come across meaningful choreography where intelligent conceptualisation, beautiful…

All the world's a stage...And all the men and women merely players These lines from Shakespeare's 'As you like it' goes beyond the conventional definitions of a performance space. In a regular theatre (proscenium), a transparent wall exists between the audience and the performers.  The illusion is based on creativity, sound, lights, music and set design. The audience are mute spectators - they can only travel with the performers on the emotional journeys. Contemporary artistes try to take performance beyond ‘a show' and recreate life through different mediums in real space. Deepak K Shivaswamy in collaboration with dancers of Bangalore…