B. Jayashree presents Gubbi Company play ‘Sadarame’

Gubbi Veeranna's grand daughter B. Jayashree is set to stage 'Sadarame' once more at Ranga Shankara.

B.Jayashree’s "Sadarame", which opened to great acclaim at the recent Ranga Shankara Theatre Festival 2008, is scheduled to be staged at Ranga Shankara this December. "Sadarame" will be performed from 10th – 13th December at 7.30 PM.

Sadarame play, ranga shankara

(Pic: Akshay Narayan)

Produced by Ranga Shankara under its "Play the Play" initiative, "Sadarame" is a revival of one of Gubbi Veeranna’s most successful productions. "Sadarame" is directed by the renowned B.Jayashree, who is the granddaughter of legendary Veeranna.

A play, rich in navarasa, "Sadarame" is replete with unforgettable characters: the ingenious Sadarame, the trickster Kalla, the innocent Jayaveera, the mean Bangaru Shreshti and the apparently comic, but inherently cruel Adimoorthy.

Among the highlights of the revival of this Gubbi Company play, is director B.Jayashree in the role of Kalla, the thief immortalised by her grandfather, the legendary Gubbi Veerana.

Synopsis

The story revolves around an innocent middle-class girl, the protagonist ,Sadarame, who marries Prince Jayaveera. This, however, is the beginning of Sadarame’s troubles, as the Prince loses his kingdom and, then, remarries Chanchala Kumari to regain his throne.

Sadarame play, ranga shankara

(Pic: Akshay Narayan)

Even as hardships challenge the young protagonist, Sadarame overcomes every hurdle with her characteristic intelligence. In the end, as is the tradition with Indian stories and almost as if following a rulebook, the play ends on a happy note. All’s indeed well that ends well!

The highlight of the revival of this Gubbi Company play is Director B. Jayashree in the role of Kalla, the thief immortalised by her grandfather, the legendary Gubbi Veerana.

Director’s profile

Granddaughter of the legendary Gubbi Veeranna, B. Jayashree debuted as a child in his company before going on to study at the National School of Drama. After her graduation in 1970, and acting under directors such as Alkazi and Karanth, she started directing her own group, ‘Spandana’, in Bangalore. It made a name for itself across the country with “Lakshapati Rajana Kathe” (“Raja Lakshapati’s Story”, 1986), a production resplendent with folk energy and vibrant music. She also directed Chandrashekhar Kambar’s “Karimayi” (1987), on ritualistic worship of the goddess by that name, in the same style.

Tickets are available at Ranga Shankara (ticket counter timings: 10 AM-12.30 PM & 5 PM-7.30 PM; Monday holiday). Tele-booking is open on 94489-27954.

Details of the performance

Name: Sadarame
Language:Kannada
Date:10th, 11th, 12th, 13th December
Time:7.30 PM
Duration:110 min
Venue:Ranga Shankara, JP Nagar
Ticket Price:Rs. 100

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Similar Story

From India’s urban landscape: The aspirations and struggles of migrant workers

Here are some glimpses of the lives of migrant workers who travel far from their homes to big cities for better opportunities.

Urban India at its lower end of the economic spectrum is changing fast. As cities develop and become important centres of trade and services, the migrant workers form a crucial part of this growth. In most cities today, a bulk of the critical support jobs are done by migrant workers, often hailing from states such as Orissa, Bihar, Assam and West Bengal. Through my interactions with guest workers from various parts of India, I have observed an evolving workforce with aspirations for better job opportunities, higher education for their children, and a desire to enhance their skills. Here are some…

Similar Story

Unsafe spots, weak policing, poor support for violence victims: Safety audit reveals issues

The audit conducted by women in resettlement sites in Chennai recommends better coordination between government departments.

In recent years, the resettlement sites in Chennai have become areas of concern due to many infrastructure and safety challenges affecting their residents. People in resettlement sites like Perumbakkam, Semmencherry, Kannagi Nagar, and other places grapple with problems of inadequate water supply, deteriorating housing quality, insufficient police presence, lack of streetlights and so on. In Part 2 of the two-part series on women-led safety audits of resettlement sites, we look at the findings of the recent audits and recommend improvements and policy changes.         Here are some of the key findings of the safety and infrastructure audits in the resettlement…