The Pirates are back with a bang

The fourth Pirates of the Caribbean movie exudes a freshness, retaining the series' unpredictability and sense of humour.

The Pirates of the Caribbean are back, and Johnny Depp leads the way. Rob Marshall replaces Gore Verbinski in the director’s chair, but the difference hardly shows.

Source: Wikipedia

As with the previous films, Pirates of the Caribbean: On Stranger Tides is an entertainment laden ride, interspersed with magical mystery and many guffaws. The great pull to the film lies in the aura that surrounds its principal protagonists and not the meatiness of the plot.

This time around, Captain Jack Sparrow (Johnny Depp ) finds himself coerced into joining hands with the fearsome pirate Black Beard (Ian McShane) to track down the legendary Fountain of Youth, with its promise of an extended life. Joining them on their quest is Angelica (Penelope Cruz) – Black Beard’s lost daughter and the woman that Jack Sparrow once loved and deserted. But to reach the Fountain, he must once again cross swords with his old foe and sometimes friend Captain Hector Barbosa (Geoffrey Rush), also out on his own parallel hunt for the same elusive treasure.

As always, Johnny Dep adds a roguish insolence to the script in the way that only he can, as Captain Jack Sparrow. In characteristic fashion, he continues to hold his sway over audiences in the garb of the resourceful, lovable scoundrel that he plays in so many shades. Every time the same, and yet each time so different.

Penelope Cruz is a worthy leading lady and lives up to the challenge of being the latest addition to the Pirate crew. Though an old Pirate faithful still misses the well loved Keira Knightly, Cruz is a fitting replacement and matches Depp stroke for stroke.

Once more, Geoffrey Rush brings Barbosa to life, with all the associated maddening love-hate oscillation that he is meant to inspire. But the revelation in this film has to be Ian McShane, who leaves us with the deliciously evil Blackbeard. In him we have another wonderful addition to the repertoire of unforgettable characters that Pirates of the Caribbean have left us with over the years.

Though the franchise is now four instalments old, the script still manages to exude the old freshness, retaining both its unpredictability and its sense of humour.

I’ll go with a rating of 3 on 5 for this film. The legend of the Pirates lives on.

The ratings and what they mean

The ratings are on a scale of 1 to 5 and try to strike that difficult balance between cinematic critique and giving the regular film buff a peek into what’s playing in town and worth a watch.

1: Watch this film only if the director pays you
2: You could safely give this film a miss
2.5: A one time watch
3: Good cinema. Money well spent
4: Great cinema. A standing ovation
5: Simply speechless. A masterpiece.

Leave a Reply

Your email address will not be published. Required fields are marked *

Similar Story

Kolkata’s Sonajhuri Haat weaves art, empowerment and community together

Every weekend, artisans from rural Bengal bring centuries-old crafts to this weekend fair, finding new audiences, livelihoods, and keeping traditions alive.

Every Friday morning, Aladdin Chitrakar travels from his village in Purba Medinipur, a coastal district in West Bengal, to Kolkata to showcase patachitra artwork created by him and his wife, Angoora Ji. They set up their stall at the weekend fair along the Biswa Bangla Sarani in the city that is widely known as a shopper’s paradise and a haven for art.  Their vibrant fish motifs and tribal figurines painted on wooden trays and white T-shirts are the source of livelihood through which the couple supports their two sons. Aladdin rents a small place to live for three days in…

Similar Story

Safety still out of reach: Everyday struggles of women with disabilities

Women with disabilities face increased risks in public and private spaces because of consent violations, unsafe surroundings and neglect.

Every morning, Samidha Dhumatkar travels from her home in Mumbai’s western suburbs to Churchgate, where she works as a telephone operator at a university campus. Her journey involves taking a rickshaw, boarding a train, and walking to her workplace, similar to thousands of other Mumbaikars who commute daily. However, as a person with a visual disability, Samidha’s commute is fraught with threats to her safety. In their book, Why Loiter? Women and Risk on Mumbai Streets, writers Shilpa Phadke, Sameera Khan, and Shilpa Ranade, argue that spaces are not neutral. Moreover, they are not designed equally. “Across geography and time,…