Memorial of Lakshmamma, daughter-in-law of Kempegowda

Last week’s photo was of a memorial that is said to be of Lakshmamma, daughter-in-law of Kempegowda, founder of Bangalore. The story goes that when Kempegowda was building his new fort, its southern gate would collapse every night.

Astrologers advised him to conduct a human sacrifice but Kempegowda was reluctant to do so. And then one morning, as workers went to work on the gate once again, they found it had not collapsed. But nearby lay the body of Lakshmamma, Kempegowda’s pregnant daughter-in-law, who had killed herself to appease the Gods. A distraught Kempegowda is said to have built a temple in Lakshmamma’s name. The temple is less than half a kilometre from this memorial in 6th Block, Koramangala.

Tower at Lalbagh. Pic: Swaminathan, Wikimedia Commons.

This poignant story of sacrifice is almost certainly apocryphal. If only some of the Horticulture Department’s plans for Lalbagh would also remain so. The Department wants to have a musical fountain and laser show close to the very rock where Kempegpwda II, son of Bangalore’s founder Kempegowda I, built one of his iconic towers. This is also near the place where archaeologists discovered an Iron Age burial site, 1800 to 3000 years old.

The rest of Lalbagh also has a distinguished history. Ever since Hyder Ali set up a formal garden here 250 years ago, people have always added to its wealth of trees, be it Tipu Sultan or later, the botanists who administered it for the East India Company, the Mysore Maharajas, and after Independence, the new Mysore state government. And it isn’t just Lalbagh’s halo of history and tradition that should give the Department pause. Have they thought of how laser shows will affect the garden’s vibrant birdlife?

As several people have suggested, if the government wants musical fountains and laser shows, there are other sites in Bangalore where it might be appropriate. Leave Lalbagh be. 

Leave a Reply

Your email address will not be published. Required fields are marked *

Similar Story

Kolkata’s Sonajhuri Haat weaves art, empowerment and community together

Every weekend, artisans from rural Bengal bring centuries-old crafts to this weekend fair, finding new audiences, livelihoods, and keeping traditions alive.

Every Friday morning, Aladdin Chitrakar travels from his village in Purba Medinipur, a coastal district in West Bengal, to Kolkata to showcase patachitra artwork created by him and his wife, Angoora Ji. They set up their stall at the weekend fair along the Biswa Bangla Sarani in the city that is widely known as a shopper’s paradise and a haven for art.  Their vibrant fish motifs and tribal figurines painted on wooden trays and white T-shirts are the source of livelihood through which the couple supports their two sons. Aladdin rents a small place to live for three days in…

Similar Story

Safety still out of reach: Everyday struggles of women with disabilities

Women with disabilities face increased risks in public and private spaces because of consent violations, unsafe surroundings and neglect.

Every morning, Samidha Dhumatkar travels from her home in Mumbai’s western suburbs to Churchgate, where she works as a telephone operator at a university campus. Her journey involves taking a rickshaw, boarding a train, and walking to her workplace, similar to thousands of other Mumbaikars who commute daily. However, as a person with a visual disability, Samidha’s commute is fraught with threats to her safety. In their book, Why Loiter? Women and Risk on Mumbai Streets, writers Shilpa Phadke, Sameera Khan, and Shilpa Ranade, argue that spaces are not neutral. Moreover, they are not designed equally. “Across geography and time,…