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It was like a rare alignment of the planets: several factors come together to pull me out of my usual Ranga Shankara ambit for watching a play. I had not been to visit Bangalore International Centre, which opened a while ago in Domlur; Bangalore Little Theatre, as part of their "VP 80" festival, was staging "Credit Titles"; the play, written by Vijay Padaki, whose 80th birthday the festival marks, was based on a story by Vinod Vyasulu, an eminent economist whom I've known for a long time, as our daughters share a cose friendship dating from 1988. And last but…

It is always interesting to revisit a play I have watched before, and see how the production has evolved. This was the spirit in which I went to watch "Robi's Garden" by Bangalore Little Theatre, which I had reviewed in 2011. (You can read the review here ) But I was in for a major surprise! The earlier play was definitely one for children, with many children and BLT volunteers participating, with both the cast and the audience having a merry time, rollicking through a selection of Rabindranath Tagore's short stories. It was an occasion to celebrate the Golden Jubilee…

It had been quite a while since I went to Ranga Shankara for a play, and the blurb about "Bali" was interesting enough to pull me in. Here's the quotation from the excellent brochure that was handed out before the play: "Adishakti's Bali is a retelling of the various events that lead up to the battle between Bali and Ram and eventually, the death of Bali. The play explores the notion of right and wrong, and how it may change when each and every character is given an opportuntiy to voice their thoughts and opinions." With this intriguing introduction, I…

I went to watch Kriyative Theatre’s presentation of “Where The Shadow Ends” after having read the theatre group’s introduction to it, with an open mind...and that open mind was truly filled with sights, sounds, concepts both abstract and concrete, in the one hour and twenty minutes that the play lasted. The narrative, as the group says, is surreal;  the play travels through myths and history that are common across cultures. The play (mainly in English, but with touches of Kannada and Sanskrit here and there)   uses contemporary movement and text to explore the space between reality and shadows of the…

When I read that "The Cut" had been shortlisted for The Hindu Playwright award in 2016, I was keen on watching it; so off I went to watch the play, staged by Theatre Nisha, a Chennai-based group, on Saturday, 27th May 2017. I'd read two reviews of the play, by Karan Pillai for The New Indian Express, on Jan 27, 2017  by Parshathy J Nath for The Hindu, on 30 Jan, 2017   I was expecting the sepia tones referred to in one, and the brilliant performances mentioned in the other (see photo below, from an earlier performance.)   The…

One of the inequalities of life is that children may not be allowed for many theatre productions...but adults can certainly go and enjoy children’s theatre. The enjoyment is all the more, when one goes with one’s own child...or grandchildren, because there are then multiple layers to the experience. There was a fairly large audience of children, accompanied by their parents or relatives,  to watch “How Cow Now Cow” by the Sandbox Collective a group that has just crossed its second birthday.   I have not watched the work of this young theatre group before, and I am always interested in…

Having watched an excellent play staged by Tadpole Repertory earlier (you can see the review here if you wish to) I was eager to watch the production of  “This Will Only Take Several Minutes”, which this group was staging as a joint effort with Hanchu-Yuei, a Tokyo-based theatre collective. The introduction on the Ranga Shankara website was very intriguing. A play in Hindi, Japanese and English! Off I went, with three friends.  The play is the result of a joint effort between two playwrights, and deals with six characters, who interact with each other (not all at the same time),…

There are times when the production of a play makes the task easy for the reviewer. When there are plenty of criticisms to be made, it always grieves me to have to make negative comments, when I know that each stage production has so much of passion, dedication and sheer hard work that has gone into it.  But when a production is, from both artistic, aesthetic, and technical standpoints, excellent and highly professional, the critic’s task is just to enumerate the good points.  The play, “Krishna’s Dairy”, by Jacob Rajan, who also essayed the two characters who feature in it,…

For children….   Once a year, Children’s Day (celebrated on Nov 14 in India) comes around, and we have many initiatives just for them. One of these was   “Maya Bazaar” a story of mythology and fantasy, which was made into an epic movie in both Tamil and Telugu.   Over the years, this story (loosely based on characters in the Mahabharata) has been treated as a subject on many stages...folk, street, and mainstream theatre.   So, when Bangalore Little Theatre sent an invitation to the staging of the original English language adapation  of this tale, on the 13th of…

It's always intriguing to watch poetry being dramatized, and I was keen on going to watch "Kitchen Poems" by Dhiruben Patel, a 90+ year-old Gujarati writer. Padmavathi Rao, who was the solo actor in this performance produced by Aantarya Film and Theatre House, is well-known to the theatregoers of Bangalore, and it was with pleasant anticipation that I went to the performance. I was not disappointed. Dhiruben's poems (written in English) were translated on to the stage seamlessly. Padmavathi's command over the words showed in the effortless way in which she seemed, not to be playing an archetypal woman and…