Listening even as we perform

“Did you see how she did that?” I was lucky enough to attend numerous concerts, most often at the Bangalore Gayana Samaja, with my late guru Seethalakshmi Venkatesan. In every concert, we had attended together, she unfailingly pointed out nuances brought out by the performer of the day.

 i

Recently when a friend shared a video of Carnatic vocalist Semmangudi Srinivasa Iyer performing at a sabha in Chennai, I was reminded of this when I saw the audience at this concert. A virtual who’s who of today’s Carnatic music stars were seated in the audience listening to the stalwart sing. In this concert the maestro was accompanied by Balamuralikrishna on the viola and T.K.Murthy on the mridanga. All three musicians are giants in the field of carnatic music and trailblazers in their own right. The song is an emotive composition of Shyama Shastri in praise of the mother goddess. The melody is raga Anandabhairavi that is believed to evoke happiness and cure ailments of the mind and body. This article is not about the music but the audience seated on the floor.

For musicians to improve, it is important for them to attend concerts by other artists. Musicians stagnate when they stop listening to other musicians perform. In the current scenario where artists try to “bag” as many concerts as they can at the December music festival in Chennai, they lose out on the listening experience. They forget that a performer is a perennial student of music and that the learning never stops. The takeaway for a performer from a concert can be anywhere from a few innovative phrases of a raga alapana, or a dynamic swara pattern to an intricate pallavi.

The lessons imbibed in the classroom are only a foundation and musicians need to build on it with constant practice and listening experience.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Similar Story

Opinion: Why climate action must recognise and include India’s informal workers

As COP29 discusses ways to mitigate the climate crisis, India must address the adversities faced by informal workers and chalk out plans.

The ongoing COP29 conference in Baku, is a pivotal moment in climate action, focusing on global cooperation to limit warming to 1.5°C. Key priorities include mobilising financial resources for developing countries to submit ambitious climate plans (NDCs) by 2025 and continuing support through the Fund for Loss and Damage (FRLD) established at COP28. COP29 also aims to strengthen adaptation efforts by setting finance-backed targets for the Global Goal on Adaptation.  While COP29 primarily focuses on international climate initiatives, India must address pressing domestic issues. One key group often overlooked is informal workers in Indian cities. Over 80% of India’s urban…

Similar Story

Status check: Key concerns remain as Chennai moves ahead with WTE plans

Greater Chennai Corporation's tender for the Waste-To-Energy plant is at the final stage; Here is what we know about the bidders

17,422 metric tonnes per day — that's the staggering amount of trash the Greater Chennai Corporation (GCC) will generate in 30 years. Currently, Chennai produces 6,143 metric tonnes of waste daily, which adds to the growing piles in Kodungaiyur and Perungudi dump yards. Like many other major cities, GCC is struggling to find a sustainable solution for waste management and has proposed a Waste-To-Energy (WTE) plant. However, the experiences of cities like Delhi are testimony to the significant environmental and health impacts of WTE plants. A recent The New York Times investigative report on the Delhi WTE reveals: "The government…