Sangeetha Kadur’s brush with nature

A wildlife artist has to depict her subject true to life. That is what differentiates us from artists, says Sangeetha Kadur who has held her first solo exhibition of wildlife art.

"People connect to my paintings easily," says Sangeetha Kadur, wildlife artist. A graduate from Chitrakala Parishath, Sangeetha is a avid birdwatcher and a wildlife artist.

‘A Brush With Nature,’ her first solo exhibition of wildlife art was organised at No. 1 Shanti Studio at Shantinagar. The exhibition was on from 27th January to 30th January.

Sangeetha along with her collection at the exhibition.
Pic: Deepthi M S

The exhibition which ran for 3 days saw a lot of wild life enthusiasts attending the event. "The spirit in the Leopard’s eyes are so real," says, Atrijit Dasgupta, 45, who claims to have an average interest in the wildlife.

The exhibition had around 24 of her collections, which included pen, acrylic and watercolour. The exhibition also had her sketch book for display.

After her graduation from Chitrakala Parishath, with a specialisation in painting, she started working as a freelance artist. Her first project was in 2005, for Government of Karnataka’s Tourism Enterprise- Jungle Lodge and Resorts, where she had to paint a wall poster.

Sangeetha, who is in her late 20’s, had just 2 weeks of time to prepare for her exhibition. She says, "it is encouraging to see so many people turning up at the event."

For four years, Sangeetha has been working on a collection of illustrations of hummingbirds for a coffee table book called ‘Hummingbirds.’ A large number of her paintings of hummingbirds which were selected for the coffee book, were displayed at the exhibition.

Another avid nature admirer, Usha Ramaiah, 70, says, "She has done an incredible work in presenting wildlife through her paintings." She also added that children should be encouraged towards wildlife paintings, as it brings some amount of awareness about wild animals and birds.

Usha at the exhibition. Pic: Deepthi MS

Sangeetha who travels to various wilderness areas, sanctuaries and national parks, finds Turahalli, a small village off Kanakapura road as an easy escape from the city.

"GreenScraps" – Nature Journaling Workshop.

Age: 7- 14 years.

Venue: Lalbagh.

Cost: Rs 1500 for 5 days.

Contact: 9886812598.

She believes that the most important aspect of a wild life artist is to get people to look at nature as it is. As an avid observer of nature, she says, "most people don’t observe nature, they just pass by it."

"Once, people look at paintings, they develop a liking towards it. And that creates a bond between them and nature," she says.

Speaking of painting as a profession, Sangeetha says that here in India, people think a lot before buying a piece of art. However, she says that she has been able to survive so far. After her first project, she joined Felis Creations, a visual arts company with a focus on conservation.

That’s where she started working on her second project, a coffee-table book about ‘Hummingbirds’ in collaboration with the Grogas Science Foundation, USA.

Explaining the history of this profession, she says that it was in great demand in the colonial times, but gradually declined later with photography taking the lead.

As a wildlife artist, her works are true to life. "There is no modification in the way they look or the way they are presented," she says.

Sangeetha who is also a regular bird watcher and trekker, says a lot of senior birdwatchers have inspired her to take up wildlife illustrations seriously as a profession. Her brother Sandesh Kadur, wildlife photographer, documentary film-maker, has been her biggest support and also her critic.

Along with illustrating wildlife, she also conducts workshops for children. She feels that once children start looking at nature closely, they start observing it more consciously. "It builds a relationship between them and the nature, that is a very important thing," she says. "I see so much of interest in kids, people are showing a lot of interest it this profession," she adds.

With only a handful of such wildlife illustrators in the country, Sangeetha hopes to see more. "It would be nice have some competition," she laughs.

Leave a Reply

Your email address will not be published. Required fields are marked *

Similar Story

The trees we forget: What a city loses when the canopy disappears

Bengaluru's trees are more than shade; they are memory, identity, and resistance. Their loss leaves the city harsher and emptier.

Summer in India has been merciless this year, with many states recording temperatures above 42 degrees Celsius and rising reports of fatalities. Despite these harsh conditions, urban support continues for development projects that clear trees, wetlands, mangroves, and forests near cities. A recent Article 14 report provides data on thousands of trees that will soon be sacrificed nationally for infrastructure projects. Those opposing such unscientific large-scale tree felling are often labelled 'tree-huggers', 'anti-development' and 'anti-nationals'. While capitalism accelerates environmental degradation and the world faces a growing climate crisis, societal divisions deepen.  Yet, we give trees too little credit: Beings necessary…

Similar Story

Bengaluru’s flowering Tabebuia Rosea trees: Think green, not just pink

Cities must not confuse beauty with ecology; Bengaluru’s pink weeks are lovely, but unchecked ornamental planting could make the city prettier but less alive.

Late each winter, Bengaluru briefly transforms into an Indian Kyoto, as roads blush pink, office parks turn photogenic, and social media buzzes with claims of a local “cherry blossom” season. But the star of this spectacle is not cherry at all. It is Tabebuia rosea, the pink trumpet tree, a neotropical ornamental whose native range runs from Mexico to Ecuador. What seems like a harmless aesthetic win is, ecologically, far more complex. The history Bengaluru’s pink canopy is not new. Much of it can be traced back to the 1980s under forester S G Neginhal, who drove a major greening…