Cuddappah tiles, red oxide, limestone walls, huge verandas, skylights… these old houses of Bengaluru built in Art Deco style have a grace and charm rarely found in newer buildings.
Front view of the house from the gate.
The next house is located in Gandhi Bazaar, Basavanagudi. This house was built in 1939 by Sethu Madhav Rao who hails from Thanjavur. Madhav Rao passed away in the year 1979 and his son, having settled in Bombay decided to sell the house.
The house was sold to the current owners who were tenants in the same house since 1972. The house was purchased jointly by the current owner and his son-in-law. In 1984, they partitioned the house into two. A major alteration to the house was the merging of the Pooja room and storeroom to form the current kitchen in 1984 and the addition of a bathroom.
The house initially had a verandah, which was converted into a covered porch. Other minor alterations have been carried out from time to time, like the toilets were converted to a western style from the Indian style. The current owners are not planning on undertaking any other renovations as they are unsure of the structural strength of the house.
View of the exterior – the gate is a recent change, the old one had a wooden frame and used wooden slats for the infill.
This house predates the other two houses and shows the influence of the colonial bungalow style of architecture. The 19C Bungalow as conceptualised by the British soon became the aspirational style for most Indian city dwellers of the late 19 / 20 C. However rather than adopt the British / European model in-toto Indians adapted it to suit their own culture and lifestyle resulting in an off-shoot that expressed the ‘Indian-ness’ of its owners / dwellers. This house is a scaled down version of this off-shoot style likely in keeping with the owner’s budget and lifestyle.
A view of the windows and bathroom ventilator. Note the pivoted ventilator on top of the window shutters – this was a common ‘Bungalow’ detail for ventilation so hot air could escape out. Likewise bathroom ventilators typically had diamond shaped mesh and no shutters as seen in this house.
The original main door of the house, now converted into a door leading to the hall – note the pivoted ventilator on top mentioned earlier and the typical metal ironmongery – strap hinges and iron bolts. The steel bolt on the left is a more recent addition.
Close up of the iron bolt
Front view of the same main door. The ventilator on top initially had glass slats which were wedged in place (a typical ‘Bungalow’ detail). These were later replaced as above.
Detail of door leading to the other half of the house. Notice the different styles of locks, old and new
The frosted glass panes were added in the year 1984. Originally teak wood slats had been used as infill to the shutter frame – which was a typical detail.
View of the interiors – note the ceiling height @ 14 feet from the ground (high ceilings were again a standard ‘Bungalow’ detail) whereas nowadays it’s generally 9’6” or 10’0”.
Closer view of the clerestory windows just below the ceiling used primarily towards ventilation and indirect light (to prevent heat gain) – such windows and tall ceilings were a common feature of colonial houses in hot climates.
The old meter-board located in the front porch.. Notice the black toggle or dolly switches that were in vogue earlier before they were replaced with the bakelite switch boxes seen below the toggle switch and finally the modular switches of today.
Closeup of a toggle switch
Built in furniture: View of the cupboard
Built in furniture: the kitchen cupboard, which was originally the pooja cabinet. It was common to have such pooja cabinets in the kitchen – independent pooja rooms as such were uncommon in homes of this period.
Much thanks to Krupa Rajangam, Conservation Architect and cofounder of Saythu, for her inputs to this article.
The Banni Nodi wayfaring project has put KR market metro station at the heart of a showcase to the city's 500-year urban history.
KR market metro station is more than a transit hub in Bengaluru today, as it stands at the heart of a project that showcases the city's 500-year urban history. The Banni Nodi (come, see) series, a wayfinding and place-making project, set up in the metro station and at the Old Fort district, depicts the history of the Fort as well as the city's spatial-cultural evolution. The project has been designed and executed by Sensing Local and Native Place, and supported by the Directorate of Urban Land Transport (DULT) and Bangalore Metro Rail Corporation Limited (BMRCL). Archival paintings, maps and texts,…
Cyber psychologist Nirali Bhatia says that parents, friends and relatives of sufferers must not be reactive; they should be good listeners.
As technology has advanced, cyber abuse and crime has also increased. Women and children are particularly vulnerable, as we have seen in our earlier reports on deepfake videos and image-based abuse. In an interview with Citizen Matters, cyber psychologist, Nirali Bhatia, talks about the psychological impact on people who have been deceived on the internet and the support system they need. Excerpts from the conversation: What should a person do, if and when they have fallen prey to a deep fake scam or image abuse? We need to understand and tell ourselves it is fake; that itself should help us…
You and every citizen frustrated by potholed roads, air pollution, garbage—in short our broken cities.
Citizen Matters is India’s leading Civic Media Platform. We dig into the “why” and “how” behind issues plaguing our cities and neighbourhoods—and spotlight solutions. But we go further. We focus on citizens driving change and their strategies and bring you a playbook for better cities.
Through Citizen Matters, Open City and other initiatives, we centre the demand for better cities and empower citizens to drive change.
We need your support to continue this work. Your contribution is critical for our survival. Donate now