hindi

It's not common to have plays about music, or musicians; so when Ranga Shankara announced that the Trialogue Company, a Delhi-based theatre group, would be staging "Tansen" on 1st June, '19, I was very keen on attending. The introduction on the Ranga Shankara website was also tantalising. Dhrupad, Khayal, and Kathak to be part of the production...that would be very unusual indeed! So off I went, with my friend Jayashree (who also learnt classical music from me...we did form a fairly critical duo in the audience.) Even before the play started formally, the strains of the tanpura and the semi-humming,…

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It is not a common occurrence for me to be able to watch a well-made promo video of a theatre school; I did that for the first time when I reached out to the Drama School Mumbai, and the programme coordinator, Neeraj Panchal, sent me the video, which you can see here I noticed the words "Annual Student Production 2018-19" on the excellent brochure that was given out before, and about, the play This intrigued me and I found out that the play was staged by the students of this school; some of them told me, after the play, that…

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Having watched an excellent play staged by Tadpole Repertory earlier (you can see the review here if you wish to) I was eager to watch the production of  “This Will Only Take Several Minutes”, which this group was staging as a joint effort with Hanchu-Yuei, a Tokyo-based theatre collective. The introduction on the Ranga Shankara website was very intriguing. A play in Hindi, Japanese and English! Off I went, with three friends.  The play is the result of a joint effort between two playwrights, and deals with six characters, who interact with each other (not all at the same time),…

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It's always intriguing to watch poetry being dramatized, and I was keen on going to watch "Kitchen Poems" by Dhiruben Patel, a 90+ year-old Gujarati writer. Padmavathi Rao, who was the solo actor in this performance produced by Aantarya Film and Theatre House, is well-known to the theatregoers of Bangalore, and it was with pleasant anticipation that I went to the performance. I was not disappointed. Dhiruben's poems (written in English) were translated on to the stage seamlessly. Padmavathi's command over the words showed in the effortless way in which she seemed, not to be playing an archetypal woman and…

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It’s not easy to review a play when the theme is intense-- political unrest, and the social chaos that results.. This was the thread underlying  “Mein hoon Yusuf, aur yeh hai mera bhai”, which I watched at Ranga Shankara on 8th November 2015. Two theatre groups collaborated in this production. The action of the play is set against the background of the conflict in Palestine. It’s January 1948, and the British Mandate is ending. There is a lot of conflict over how the Palestine pie will be cut up. In a small village, Ali’s love for Nada faces difficulties because…

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After a long absence, it was refreshing to enter my favourite theatre space, Ranga Shankara, once again, this time to watch a Hindi play, "Rocky Ka Insaaf", staged by Mashaal.   The play has been expanded from a ten-minute vignette that was staged as part of the "Great Galata Festival" at Ranga Shankara in 2013.     The main protagonist, Rocky, takes a journey into the world of the common man today; a world where “development”, while raising the standard of living in material terms for some people, leaves others untouched in India. Rampant corruption, the me-vs.-you attitude of the…

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When my friend Priya Venkatesh told me about the performance of “A Moment of Memory”, I was intrigued by the description of the performance and decided to attend the 8 pm showing at Atta Galatta in Koramangala, on January 10th. The production was by Visual Respiration, a group founded by Aruna Ganesh Ram, and  the show was directed by her.  'An experiential performance based on personal encounters' is the description of the performance in the words of Visual Respiration. It  gives the details about how this production came into being. It was not a “play” in the usual sense of the…

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